ELT365 · Day 241 — Using Humour Well
Idea Shared laughter builds rapport and lowers the affective filter. The target is inclusive humour — based on ideas, not people. Never at a learner’s expense.…
ReadIdea Shared laughter builds rapport and lowers the affective filter. The target is inclusive humour — based on ideas, not people. Never at a learner’s expense.…
ReadIdea On-the-spot correction interrupts fluency tasks — use it sparingly. Delayed correction preserves flow and lets you address the most important patterns. Example During a role…
ReadIdea Whole-class feedback after a task has two parts: content feedback (did they complete the task?) and language feedback (how did they say it?). Do content…
ReadIdea Monitoring is purposeful observation: you are listening for content (task completion) and language (for feedback). It is not tidying the desk or waiting. Example Carry…
ReadIdea Using names personalises attention and signals you know who is in the room. Directing questions to named learners also distributes participation. Example ‘What do you…
ReadIdea Classes of two to five learners change the social dynamic — there is no crowd to hide in. Build in solo preparation time before pair…
ReadIdea In large classes, whole-class activities eat time; pair and group work multiply speaking opportunities. Monitoring must be systematic, not random. Example With 30 students, a…
ReadIdea Mixed ability is the norm, not the exception. The question is not how to remove the gap but how to use it — faster learners…
ReadIdea The moment between stages — ending pair work, moving to feedback — is where lessons lose momentum. Prepare signalling language in advance. Example ‘Good. Let’s…
ReadIdea Instruction-checking questions (ICQs) confirm learners have understood the task before they start — not what they should produce, but how they should work. Example ‘Are…
ReadMost of this site is reading. These two are writing — the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production — the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself — only as yourself.
Thirteen sideways questions about the architecture of your own experience.
“How are you?” produces “fine.” “What is wrong?” produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM — sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.