ELT365 · D154 — Bottom-Up Processing: Decoding the Signal
Idea — Bottom-up processing means decoding sound by sound or word by word — building meaning from the signal itself. Essential when the topic is unfamiliar…
ReadIdea — Bottom-up processing means decoding sound by sound or word by word — building meaning from the signal itself. Essential when the topic is unfamiliar…
ReadIdea — Top-down processing means using background knowledge, topic familiarity, and context to make sense of what you hear or read before decoding every word. Example…
ReadIdea Vocabulary is not filler — it needs staging: encounter, notice, use. Pre-teaching blocks meaning; recycling builds retention. Example Pre-teach two blocking words before a reading…
ReadIdea Each stage has its own micro-aim that serves the overall lesson aim. The lead-in does not practise the target language — it activates interest and…
ReadIdea A stage is a discrete part of the lesson with its own aim, activity, interaction pattern, and timing. Most 60-minute lessons have four to seven…
ReadIdea For every anticipated problem, write a solution — not a worry. The plan is your back-up strategy. A problem without a solution is just an…
ReadIdea A written plan is a hypothesis; the lesson is the experiment. Experienced teachers deviate from plans when learners need something different — but only because…
ReadIdea The board is a shared, permanent record of the lesson. A clear, organised board plan — written before the lesson — prevents mid-lesson confusion and…
ReadIdea The first three minutes set the pace and signal what kind of lesson this will be. A strong start narrows the gap between what learners…
ReadQuestion words start your questions! Word Asks about Who people What things / actions Where places When time Why reasons Examples “Who is your teacher?” “Where…
ReadMost of this site is reading. These two are writing — the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production — the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself — only as yourself.
Thirteen sideways questions about the architecture of your own experience.
“How are you?” produces “fine.” “What is wrong?” produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM — sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.