Complaining Politely in English — The Art of Being Heard
Complaining Politely in English — The Art of Being Heard B2 ⏱ 5 minutes Functional Language 📖 From My Life I spent years on both sides…
ReadComplaining Politely in English — The Art of Being Heard B2 ⏱ 5 minutes Functional Language 📖 From My Life I spent years on both sides…
ReadRegister — Formal, Neutral, Informal English B2 Upper-Intermediate ⏱ 5 minutes Vocabulary + Writing 📖 From My Life At The Ivy (Merivale’s flagship restaurant in Sydney),…
ReadIELTS Speaking Part 2 — Describe a Person Who Inspired You B2–C1 ⏱ 5 minutes Exam Preparation 📖 From My Life I took the IELTS Specialist…
ReadDiscourse Markers — Linking Your Ideas Like a Pro B2 Upper-Intermediate ⏱ 5 minutes Writing + Speaking 📖 From My Life I notice the difference between…
ReadPassive Voice — When the Action Matters More Than the Actor B2 Upper-Intermediate ⏱ 5 minutes Grammar 📖 From My Life A hotel inspection report I…
ReadWriting a Professional Email in English B1–B2 ⏱ 5 minutes Writing 📖 From My Life In fifteen years of hospitality management, I wrote hundreds of emails…
ReadPronunciation — Word Stress in English B1 ⏱ 5 minutes Pronunciation 📖 From My Life My French students at the ELT Hub in Landerneau (Brittany) all…
ReadReported Speech — What They Actually Said B1–B2 ⏱ 5 minutes Grammar 📖 From My Life In the restaurant world, messages get passed through a chain…
ReadCollocations — Words That Go Together *{box-sizing:border-box;margin:0;padding:0} body{font-family:’Segoe UI’,Arial,sans-serif;max-width:820px;margin:0 auto;padding:20px 16px;background:#f7f9fc;color:#333;line-height:1.6} .lh{background:linear-gradient(135deg,#00897B,#004D40);color:#fff;padding:24px 20px;border-radius:16px;margin-bottom:24px;box-shadow:0 4px 18px rgba(0,0,0,.18)} .lh h1{font-size:1.45em;margin:0 0 12px;text-shadow:0 1px 3px rgba(0,0,0,.2)} .badges{display:flex;gap:8px;flex-wrap:wrap} .b{padding:4px 14px;border-radius:20px;font-size:.8em;font-weight:700}…
ReadSecond Conditional — Imagining What Could Be Different *{box-sizing:border-box;margin:0;padding:0} body{font-family:’Segoe UI’,Arial,sans-serif;max-width:820px;margin:0 auto;padding:20px 16px;background:#f7f9fc;color:#333;line-height:1.6} .lh{background:linear-gradient(135deg,#607D8B,#263238);color:#fff;padding:24px 20px;border-radius:16px;margin-bottom:24px;box-shadow:0 4px 18px rgba(0,0,0,.18)} .lh h1{font-size:1.45em;margin:0 0 12px;text-shadow:0 1px 3px rgba(0,0,0,.2)} .badges{display:flex;gap:8px;flex-wrap:wrap}…
ReadMost of this site is reading. These two are writing — the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production — the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself — only as yourself.
Thirteen sideways questions about the architecture of your own experience.
“How are you?” produces “fine.” “What is wrong?” produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM — sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.