ELT365 · Day 168 — Unknown Words: Reader Strategies
Idea — Learners who stop at every unknown word never build reading fluency. Teaching strategies for handling unknown vocabulary is as important as teaching the vocabulary…
ReadIdea — Learners who stop at every unknown word never build reading fluency. Teaching strategies for handling unknown vocabulary is as important as teaching the vocabulary…
ReadIdea — A post-reading stage extends the text into production. Learners respond, personalise, debate, or write from the content they have just read. Without this stage,…
ReadIdea — While-reading tasks should guide learners through the text, not test them after the fact. The task shapes what they notice and how deeply they…
ReadIdea — Schema is prior knowledge — everything a learner already knows about a topic, text type, and situation. Activating it before reading speeds up comprehension…
ReadIdea — Intensive reading asks learners to process a short text very carefully: every word, every grammatical signal, every implication. It is the opposite of skimming.…
ReadIdea — Scanning means moving across a text quickly to locate a specific piece of information, ignoring everything else. It is what we do reading a…
ReadIdea — Skimming is reading quickly to identify the general topic or main point. It is a skill, not a natural behaviour — learners need to…
ReadIdea — A B2 authentic text can be used with A2 learners if the task asks only for top-level gist. The text provides exposure; the task…
ReadIdea — Authentic audio (podcasts, broadcasts, real conversations) exposes learners to natural speech rate and connected speech. Graded recordings control input for clarity. Neither is always…
ReadIdea — After checking answers, a post-listening stage connects the text to learners’ language use. Without it, the lesson ends at comprehension — a passive skill.…
ReadMost of this site is reading. These two are writing — the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production — the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself — only as yourself.
Thirteen sideways questions about the architecture of your own experience.
“How are you?” produces “fine.” “What is wrong?” produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM — sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.