ELT365 · Day 168 — Staging a listening lesson
Idea — Three stages, always in this order: pre-listening (activate schema, remove blockers) → while-listening (task) → post-listening (exploit the text, produce something). Skipping pre is…
ReadIdea — Three stages, always in this order: pre-listening (activate schema, remove blockers) → while-listening (task) → post-listening (exploit the text, produce something). Skipping pre is…
ReadIdea — Function words — articles, prepositions, auxiliaries — reduce to a schwa or disappear in natural speech. Learners trained on strong forms are unprepared for…
ReadIdea — When a word ends in a consonant and the next begins with a vowel, the sounds link. This is the single biggest cause of…
ReadIdea — In fast speech, words link, reduce, and disappear. Learners taught vocabulary in isolation cannot recognise those words in the natural stream. Example — “Did…
ReadIdea — Note-taking is a productive sub-skill, not a shortcut. Teach learners to write key words and numbers, not full sentences — full sentences cost them…
ReadIdea — Schema are mental frameworks built from experience. Learners with relevant cultural schema comprehend far more, even at lower language levels. Example — A learner…
ReadIdea — A gist task poses one global question answered by hearing the whole text. It prevents learners from switching off once they catch a single…
ReadIdea — Anecdote tasks ask learners to tell a personal story in 2–3 minutes. They are highly motivating, language-rich, and generate natural spoken grammar — ellipsis,…
ReadIdea — Linking words (however, therefore, in addition) signal logical relationships between ideas. Discourse markers (right, anyway, so) organise speech. Both are often memorised incorrectly —…
ReadIdea — Discussions are less structured than debates but need the same scaffolding: a clear topic, opinion vocabulary pre-taught, and a task that requires interaction —…
ReadMost of this site is reading. These two are writing — the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production — the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself — only as yourself.
Thirteen sideways questions about the architecture of your own experience.
“How are you?” produces “fine.” “What is wrong?” produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM — sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.