Food & Drink Vocabulary: A Sommelier’s English Lesson
CEFR A2 · 5 min From my experience: I became a sommelier at The Ivy in Sydney. My job was to describe wine to people who…
ReadCEFR A2 · 5 min From my experience: I became a sommelier at The Ivy in Sydney. My job was to describe wine to people who…
ReadCEFR A1 · 5 min From my experience: At the Star Casino in Sydney, every night was a number problem. Table 17 wants two martinis. Bill…
ReadCEFR A1 · 5 min From my experience: When I landed in Sydney Airport in 2005 with one carry-on bag and what I thought was decent…
ReadA2/B1 · 5 min Skimming and Scanning — Two Different Reading Speeds Same page, two reading jobs — know when to use which From Sourov’s world:…
ReadB1 · 5 min Future Forms — Will, Going to and Present Continuous Three ways to talk about the future — and each one sends a…
ReadB1 · 5 min Writing a Short Story — PEEL Structure How to turn a moment into a story people actually remember From Sourov’s world: One…
ReadA1/A2 · 5 min Describing Emotions Move beyond happy and sad — speak with precision and colour From Sourov’s world: My daughter is about 18 months…
ReadB1 · 5 min Gerunds and Infinitives Two verb forms, one big difference — know which one to use after every key verb From Sourov’s world:…
ReadB2 · 5 min Connected Speech — Why Native Speakers Are Hard to Understand Natural English is not four separate words — it is one flowing…
ReadA2 · 5 min Comparatives and Superlatives Compare two things or find the extreme — the essential tools of everyday English From Sourov’s world: The busiest…
ReadMost of this site is reading. These two are writing — the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production — the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself — only as yourself.
Thirteen sideways questions about the architecture of your own experience.
“How are you?” produces “fine.” “What is wrong?” produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM — sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.