Speaking Fluency — Buying Time Strategies
B1 · 5 min Speaking Fluency — Buying Time Strategies Sound natural while your brain catches up From Sourov’s world: Job interviews in French in La…
ReadB1 · 5 min Speaking Fluency — Buying Time Strategies Sound natural while your brain catches up From Sourov’s world: Job interviews in French in La…
ReadB1 · 5 min Phrasal Verbs for the Workplace The everyday work verbs that textbooks don’t always teach you From Sourov’s world: Working at Star Casino…
Read🎯 B2 ⏱️ 5 min 💬 The email that cost me a meeting: Early in my career I wrote an email starting “Hey, just wanted to…
Read🎯 A2–B1 ⏱️ 5 min 💬 The word that changed everything: In a job interview in Sydney, I was asked “How are you feeling about the…
Read⏱ 5 Minutes · Teacher Training 📖 From Experience One observation feedback I received during my 120 supervised teaching hours stayed with me: ‘The activities were…
Read⏱ 5 Minutes · Teacher Training 📖 From Experience In the feedback room after a lesson observation, the first question is always the same: ‘What was…
Read⏱ 5 Minutes · B1/B2 📖 From Experience I have sent thousands of emails — job applications, complaints, appeals, formal requests. Each one from a different…
Read⏱ 5 Minutes · B1/B2 📖 From Experience I have had job interviews on three continents — in English, in French, once in broken Creole in…
Read⏱ 5 Minutes · A2/B1 📖 From Experience “I need an information.” I said this. In a job interview. The interviewer smiled kindly and said nothing.…
Read⏱ 5 MINUTES | 📊 B1 | 📚 PROFESSIONAL ENGLISH Small Talk at Work: Starting Conversations in English (B1) 🎙 From the classroom: Working at The…
ReadMost of this site is reading. These two are writing — the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production — the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself — only as yourself.
Thirteen sideways questions about the architecture of your own experience.
“How are you?” produces “fine.” “What is wrong?” produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM — sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.