Wish and If Only: The Grammar of ‘I Should Have’
⏱ 5 Minutes · B2 📖 From Experience I sometimes lie awake and think: I wish I had written that down. If only I had kept…
Read⏱ 5 Minutes · B2 📖 From Experience I sometimes lie awake and think: I wish I had written that down. If only I had kept…
Read⏱ 5 Minutes · A2/B1 📖 From Experience “I need an information.” I said this. In a job interview. The interviewer smiled kindly and said nothing.…
Read⏱ 5 Minutes · B1 📖 From Experience When I managed a team of fifteen at the Ivy, I learned more phrasal verbs in two months…
Read⏱ 5 Minutes · B1/B2 📖 From Experience My first year in Sydney, 2005: I had been walking for three hours when I finally found a…
Read⏱ 5 Minutes · A2/B1 📖 From Experience When my daughter was born, I thought: I will teach her everything I know. But Vanessa, more practical,…
Read⏱ 5 Minutes · B2 📖 From Experience After the incident at work that cost me a role I had trained for, I spent weeks thinking…
Read⏱ 5 Minutes · B1 📖 From Experience People ask me: if you hadn’t left Bangladesh, what would your life look like? I always pause. The…
Read⏱ 5 Minutes · B1/B2 📖 From Experience At CDG airport, it was snowing. Vanessa had been waiting for four hours. She said: “I knew you…
Read⏱ 5 Minutes · B1/B2 · Cambridge 👨🍳 Sourov’s Story Réunion is the island where my daughter was born. The hospital where she arrived was small,…
Read⏱ 5 Minutes · A2/B1 · Cambridge 🌏 Sourov’s Story “I want a water.” I said this on my first week in Sydney. The waiter stared.…
ReadMost of this site is reading. These two are writing — the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production — the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself — only as yourself.
Thirteen sideways questions about the architecture of your own experience.
“How are you?” produces “fine.” “What is wrong?” produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM — sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.