Eliciting: Teach It Without Telling It
⏱ 5 Minutes · Teacher Training 📖 From Experience The best moment in any class I taught was when a learner produced the language I was…
Read⏱ 5 Minutes · Teacher Training 📖 From Experience The best moment in any class I taught was when a learner produced the language I was…
Read⏱ 5 Minutes · Teacher Training 📖 From Experience My trainer said it in week one and I’ve never forgotten: ‘Do you understand?’ is the least…
Read⏱ 5 Minutes · Teacher Training 📖 From Experience In the feedback room after a lesson observation, the first question is always the same: ‘What was…
Read⏱ 5 Minutes · A2/B2 📖 From Experience English has about 20 vowel sounds but only 5 vowel letters. When I arrived in Sydney, I couldn’t…
Read⏱ 5 Minutes · B1/B2 📖 From Experience At the casino, tone of voice was everything. The same sentence — ‘Is there anything else I can…
Read⏱ 5 Minutes · A2/B1 📖 From Experience When I first started speaking English seriously, the /θ/ sound — ‘th’ as in think — was physically…
Read⏱ 5 Minutes · B1/B2 📖 From Experience When Vanessa and I first met, she spoke French fast and I spoke English fast — and neither…
Read⏱ 5 Minutes · A2/B1 📖 From Experience My first week in Sydney, I said reCORD when I meant the noun. My colleague said REcord and…
Read⏱ 5 Minutes · B2 📖 From Experience When I read Dostoevsky as a teenager — secretly, since books were not encouraged at home — I…
Read⏱ 5 Minutes · B1/B2 📖 From Experience I have sent thousands of emails — job applications, complaints, appeals, formal requests. Each one from a different…
ReadMost of this site is reading. These two are writing — the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production — the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself — only as yourself.
Thirteen sideways questions about the architecture of your own experience.
“How are you?” produces “fine.” “What is wrong?” produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM — sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.