Photography 03: Tone Curve Foundations in DxO PhotoLab

Lesson 3 of 12

By Sourov Deb. I am a DxO ambassador. DxO did not author this. No DxO approval is implied.

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Watch on my channel Treasure Hunters Digital: Easy DxO PhotoLab 8 tutorial for beginners (tone curves start at 39:53)
Tap the paper scene

Goal

Control midtone brightness. Use one curve point. Protect both endpoints.

Concept first

A curve remaps tones. X means original input. Y means edited output. The diagonal changes nothing.

Lift one midtone point. Nearby tones brighten. Lower the same point. Nearby tones darken.

Endpoints anchor black and white. One point keeps focus.

Before and after

Before: midtone input equals 128.

Lifted: output becomes about 170.

Lowered: output becomes about 90.

Shadows still begin black. Highlights still reach white.

This example is simulated. It is not PhotoLab output. The curve stays smooth. Values teach direction only.

What changed?

Midtones moved most. Nearby tones followed. Endpoints remained fixed. Histogram shapes shifted accordingly.

Why? Output exceeded input. Lowering reverses that relationship.

DxO PhotoLab Tone Curve with one midtone point raised, editing a colour checker
One midtone point on the Tone Curve in DxO PhotoLab, from my beginner tutorial (40:20).
DxO PhotoLab Tone Curve panel with histogram while adjusting a colour checker chart
Watching the histogram while shaping the curve (41:40 in the video).

Try it in PhotoLab

  1. Open Customize.
  2. Open the Light palette.
  3. Open Tone Curve. Choose L.
  4. Click one midtone. Move gently.

Compare before and after. Watch your subject first. Then check the histogram.

PhotoLab 10 names appear. Layouts can differ. Earlier versions may vary.

Common mistake

Moving too far. Tones can bunch together. Subtle detail then disappears.

Short exercise

Choose a midtone subject. Add one point. Lift it slightly. Then lower it.

Answer and self-check

  • Upward should brighten midtones.
  • Downward should darken midtones.
  • Black should remain black.
  • White should remain white.
  • The histogram should shift.

If endpoints moved, reset them. If detail vanished, reduce movement.

Captioned demonstration

Captioned mathematical simulation. No narration. Not PhotoLab output.

Download the two-minute MP4.

Transcript

00:00–00:07 — What does this graph change? Watch the midtone sphere.

00:07–00:15 — A curve maps old tones. It creates new tones.

00:15–00:23 — Horizontal means original input. Left shadows. Right highlights.

00:23–00:31 — Vertical means edited output. Higher brightens. Lower darkens.

00:31–00:40 — Input equals output. Nothing changes.

00:40–00:48 — Choose Customize, then Light. Open Tone Curve. Select L.

00:48–01:00 — Choose a midtone. Click the diagonal.

01:00–01:14 — Move the point upward. Midtones brighten. Neighbors follow.

01:14–01:25 — Move it below diagonal. Midtones darken. Endpoints stay.

01:25–01:34 — Find a midtone subject. Place one curve point.

01:34–01:42 — Move it slightly upward. Then try downward.

01:42–01:50 — Compare before and after. Check subject and histogram.

01:50–01:56 — X is input. Y output. Diagonal means unchanged.

01:56–02:00 — One point changes tones. Next: build an S-curve.

Version notes

Checked 7 October 2026. The guide describes PhotoLab 10. Its Tone Curve uses X input. Y represents output. The neutral curve is diagonal. L adjusts luminance. Color stays preserved.

The tutorial shows PhotoLab 9. At 04:32–04:44, it opens curves. It selects luminance. It changes highlights and shadows. This lesson uses one point.

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