Passive Voice: How Restaurants Speak English
CEFR B2 · 5 min From my experience: As a sommelier at The Ivy, I lived inside the passive voice without knowing it had a name.…
ReadCEFR B2 · 5 min From my experience: As a sommelier at The Ivy, I lived inside the passive voice without knowing it had a name.…
ReadCEFR B1-B2 · 5 min From my experience: The head chef at Uccello had one rule: ‘Run the kitchen. Don’t manage it.’ I spent three months…
ReadCEFR B1-B2 · 5 min From my experience: I served thousands of guests at The Ivy and Establishment in Sydney. The guests who said ‘Do you…
ReadCEFR B1-B2 · 5 min From my experience: Every immigrant has a sentence that begins ‘If I hadn’t left…’ Mine is: if I had stayed in…
ReadCEFR B1 · 5 min From my experience: People always ask me: ‘Which do you prefer — Sydney or Réunion?’ My honest answer is that they…
ReadCEFR B1 · 5 min From my experience: When Vanessa and I decided to move from Paris to Réunion, we had two kinds of sentences. ‘We’re…
ReadCEFR B1 · 5 min From my experience: I used to start every shift with a double espresso I pulled myself. I would stand at the…
ReadCEFR B1 · 5 min From my experience: 2005 to 2017. Twelve years of Sydney. Every sentence about that chapter of my life starts with ‘I…
ReadCEFR B1 · 5 min From my experience: The first night I arrived in Réunion and looked up at the sky, I said out loud —…
ReadCEFR A2-B1 · 5 min From my experience: My first week in Paris in 2017, I got lost in the Métro every single day. Not because…
ReadMost of this site is reading. These two are writing — the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production — the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself — only as yourself.
Thirteen sideways questions about the architecture of your own experience.
“How are you?” produces “fine.” “What is wrong?” produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM — sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.