The Second Conditional — Imaginary Worlds in English
🎯 B1 ⏱️ 5 min 💬 Imagine: If I had a time machine, I would go back to 2005 and tell myself to learn French immediately.…
Read🎯 B1 ⏱️ 5 min 💬 Imagine: If I had a time machine, I would go back to 2005 and tell myself to learn French immediately.…
Read🎯 B1 ⏱️ 5 min 💬 Real life: Learning French as an adult, I told myself: “If I practise every day, I will reach C1.” I…
Read🎯 A2–B1 ⏱️ 5 min 💬 From the classroom: A student once wrote “You must to go now.” The to after modal verbs is one of…
Read🎯 B1 ⏱️ 5 min 💬 True story: Working in hospitality, I once told a VIP guest: “I will get your table” — as if I’d…
Read🎯 B1 ⏱️ 5 min 💬 Story: A student wrote: “When I arrived at the party, everyone went home.” — This means he walked in, and…
Read🎯 A2–B1 ⏱️ 5 min 💬 A student once told me: “I am loving this city!” She’d arrived in Sydney two hours earlier. The feeling made…
Read⏱ 5 Minutes · Teacher Training 📖 From Experience My best lessons during my 120 supervised teaching hours were the ones where learners were so busy…
Read⏱ 5 Minutes · B1 📖 From Experience One of the things I noticed moving from hospitality English to academic English is that ‘very tired’ felt…
Read⏱ 5 Minutes · B2 📖 From Experience When I rebuilt my professional history from years of email records, I had to describe trends: ’email volume…
Read⏱ 5 Minutes · B1/B2 📖 From Experience When I started writing formally — appeals, job applications, eventually blog posts — I tried to write perfectly…
ReadMost of this site is reading. These two are writing — the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production — the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself — only as yourself.
Thirteen sideways questions about the architecture of your own experience.
“How are you?” produces “fine.” “What is wrong?” produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM — sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.