How to Tell a Story in English β Keep People Listening
π― B1βB2 β±οΈ 5 min π¬ True story: I once described arriving in Sydney β airport, 3 am, no money, no phone signal β to aβ¦
Readπ― B1βB2 β±οΈ 5 min π¬ True story: I once described arriving in Sydney β airport, 3 am, no money, no phone signal β to aβ¦
Readπ― A2βB1 β±οΈ 5 min π¬ My first week in France: I was waiting for a meeting to start. Eight French colleagues. Silence. In Australia, we’dβ¦
Readπ― B1βB2 β±οΈ 5 min π¬ Cambridge speaking exams test this: Simply saying “I think…” every time makes your language sound flat. Examiners β and realβ¦
Readπ― B1 β±οΈ 5 min π¬ The politeness problem: In a staff meeting in Sydney, someone proposed an idea I thought was terrible. I said: “That’sβ¦
Readπ― B1 β±οΈ 5 min π¬ From real life: My first week in Australia, a colleague said: “Just get on with it, mate.” I nodded. Iβ¦
Readtest
Readπ― A2βB1 β±οΈ 5 min π¬ The word that changed everything: In a job interview in Sydney, I was asked “How are you feeling about theβ¦
Readπ― A1 β±οΈ 5 min π½οΈ Welcome! Food words are the first vocabulary every English learner needs. Whether you are 6 or 60, you need toβ¦
Readπ― B1βB2 β±οΈ 5 min π¬ Grammar that sounds smart: Instead of writing two short sentences β “This is the student. She won the prize.” ββ¦
Readπ― A2 β±οΈ 5 min π¬ My first year in Sydney: I was not a native speaker. I read a lot. But articles β a, an,β¦
ReadMost of this site is reading. These two are writing β the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production β the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself β only as yourself.
Thirteen sideways questions about the architecture of your own experience.
βHow are you?β produces βfine.β βWhat is wrong?β produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM β sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.