Word Stress: Stress the Right Syllable
⏱ 5 Minutes · A2/B1 📖 From Experience My first week in Sydney, I said reCORD when I meant the noun. My colleague said REcord and…
Read⏱ 5 Minutes · A2/B1 📖 From Experience My first week in Sydney, I said reCORD when I meant the noun. My colleague said REcord and…
Read⏱ 5 Minutes · B2 📖 From Experience When I read Dostoevsky as a teenager — secretly, since books were not encouraged at home — I…
Read⏱ 5 Minutes · B1/B2 📖 From Experience I have sent thousands of emails — job applications, complaints, appeals, formal requests. Each one from a different…
Read⏱ 5 Minutes · B1 📖 From Experience One of the most useful things you can do in English — in an interview, at a dinner,…
Read⏱ 5 Minutes · B1/B2 📖 From Experience My daughter is 18 months old. Before she can speak, she listens with her whole body — watching…
Read⏱ 5 Minutes · B1 📖 From Experience When I was studying for my French C1 test, I had to read long articles in 40 minutes.…
Read⏱ 5 Minutes · A2/B1 📖 From Experience I have called four places home: Chittagong, Sydney, Plessis-Trévise near Paris, and Réunion. Each one needed its own…
Read⏱ 5 Minutes · B1/B2 📖 From Experience When I was reaching French C1 level, English kept ambushing me. I told my neighbour I was embarrassed…
Read⏱ 5 Minutes · B1/B2 📖 From Experience I have had job interviews on three continents — in English, in French, once in broken Creole in…
Read⏱ 5 Minutes · A2/B2 📖 From Experience When I arrived in Sydney in 2005, I could say I was ‘happy’ or ‘sad’. That was it.…
ReadMost of this site is reading. These two are writing — the only way to find out what your English actually does, and what your inner weather is actually like. Take one now, or skip and find them in the menu at any time.
A twenty-question encounter with how you actually think in English.
This is not a multiple-choice test. There are no gap-fills and no word banks. Those instruments measure recognition. This one measures production — the unruly, idiosyncratic act of putting thought into English under gentle pressure.
You will be asked about your dreams, your reading, your silences, your weather. Some prompts feel like journal entries. Some feel like riddles. Answer them as yourself — only as yourself.
Thirteen sideways questions about the architecture of your own experience.
“How are you?” produces “fine.” “What is wrong?” produces defence. So this asks neither. It asks about texture, temperature, containers, landscapes at 3 AM — sideways entry points that let you describe an inner state without having to expose a biography.
There is no timer and no right answer. The only thing measured is granularity: how finely you can name what is happening inside you. That skill is learnable, and it travels with you.